Am7b5 arpeggio

A Half-dim 7 — the notes A, C, Eb, G played one at a time, bottom-up and back.

Octaves

Musical context

How the arpeggio relates to the chord, scale, mode and key.

How to play the arpeggio

Left handRight hand

Theory

General info

Full name
A Half-dim 7
Root
A
Quality
Half-dim 7
Type
Half-diminished seventh
Note count
4
Brief character
Softly tense sound — the main chord of minor jazz cadences. Unlike dim7, the minor (not diminished) seventh makes the sound softer and less symmetric.
Character & mood

Softly anxious, "smoky", jazzy. Yearning, irresolution, introspection.

Recognition

Recognized by its softly anxious sound — softer than dim7, darker than m7.

Notes & degrees

1Aroot
b3Cminor 3rd
b5Ebdim 5th
b7Gminor 7th
Construction formula
A3 stC3 stEb4 stG

Diminished triad + minor seventh: 1-b3-b5-b7.

On the piano

An arpeggio is a broken chord: the same notes played one after another rather than together, bottom-up and back. On the piano they are usually split between the two hands — in an accompaniment, for instance, the left hand carries the bass while the right fills in the figuration.

Any chord can be played arpeggiato or turned into figuration — a broken bass, Alberti figures, a waltz accompaniment. Unlike the guitar, where an arpeggio is tied to the order the strings are plucked, there is no fixed fingering “shape” here — evenness and legato between the notes matter most.

Chord basis

Distinction from similar

From dim7: b7 instead of bb7. From m7: b5 instead of 5.

Function and tensions

Resolution
Am7b5source
D7resolves to
Half-diminished Am7b5 typically acts as ii in minor, resolving to the dominant (D7), which then leads to the tonic.
Harmonic behavior

iiø7 in minor. Substitution for ii7 in major (less common).

Stability note

Transitional — bridge between subdominant and dominant of minor.

Harmonic context

Chords and functions

iiø7 of harmonic minor, viiø7 of major (less common).

Best harmonies

Locrian mode, Locrian ♮2, harmonic minor.

Solo support

Creates the characteristic minor ii-V turnaround in jazz.

Compatible scales & modes

All chord tones are contained in these scales — use them for improvisation.

This arpeggio on guitar 🎸

See how Am7b5 looks on guitar.

Explore

Circle of fifths

Keys where this chord functions as a scale degree, on the circle of fifths.

CAmGEmDBmAF#mEC#mBG#mF#D#mDbBbmAbFmEbCmBbGmFDmAmajor
Relative key
Dominant
Subdominant
Key signature
3 sharps (F#, C#, G#)

Practice

Keyboard Trainer

Reinforce it in practice — play and name notes on the interactive keyboard.

Open Trainer