BmMaj7 arpeggio

B Minor-major 7 — the notes B, D, F#, A# played one at a time, bottom-up and back.

Octaves

Musical context

How the arpeggio relates to the chord, scale, mode and key.

How to play the arpeggio

Left handRight hand

Theory

General info

Full name
B Minor-major 7
Root
B
Quality
Minor-major 7
Type
Minor-major seventh
Note count
4
Brief character
Dark, mysterious sound — cinematic minor. Major seventh over minor creates an unusual contrast — "mysteriousness".
Character & mood

Mysterious, "noir", tensely beautiful. Mystery, cinematic drama, inner conflict.

Recognition

Recognized by the "conflict" of minor third and major seventh.

Notes & degrees

1Broot
b3Dminor 3rd
5F#perfect 5th
7A#major 7th
Construction formula
B3 stD4 stF#4 stA#

Minor triad + major seventh: 1-b3-5-7.

On the piano

An arpeggio is a broken chord: the same notes played one after another rather than together, bottom-up and back. On the piano they are usually split between the two hands — in an accompaniment, for instance, the left hand carries the bass while the right fills in the figuration.

Any chord can be played arpeggiato or turned into figuration — a broken bass, Alberti figures, a waltz accompaniment. Unlike the guitar, where an arpeggio is tied to the order the strings are plucked, there is no fixed fingering “shape” here — evenness and legato between the notes matter most.

Chord basis

Base chord
Distinction from similar

From m7: major (not minor) seventh. From maj7: b3 instead of 3.

Function and tensions

Resolution
BmMaj7source
F#resolves to
Minor chord Bm is a stable tonic in the minor key of the same root. Typical motion leads to the subdominant (iv) or dominant (V).
Harmonic behavior

i(maj7) — descending chromatic line in minor (i-imaj7-i7-i6).

Stability note

Transitional — part of the minor chromatic cliché.

Harmonic context

Chords and functions

i(maj7) in chromatic cliché. III+ of harmonic minor.

Best harmonies

Harmonic minor, melodic minor.

Solo support

Melodic minor lends a noir colour in solos.

Compatible scales & modes

All chord tones are contained in these scales — use them for improvisation.

Diatonic chords

This arpeggio on guitar 🎸

See how BmMaj7 looks on guitar.

Explore

Circle of fifths

Keys where this chord functions as a scale degree, on the circle of fifths.

CAmGEmDBmAF#mEC#mBG#mF#D#mDbBbmAbFmEbCmBbGmFDmBmajor
Relative key
Dominant
Subdominant
Key signature
5 sharps (F#, C#, G#, D#, A#)

Practice

Keyboard Trainer

Reinforce it in practice — play and name notes on the interactive keyboard.

Open Trainer