B13b5b9

B 13b5b9

Octaves

Musical context

How the chord relates to the scale, mode, key and progression.

Theory

General info

Full name
B 13b5b9
Symbol
B13b5b9
Root
B
Quality
13b5b9

Chord notes

1Broot
3D#major 3rd
b5Fdim 5th
b7Aminor 7th
b2Cminor 2nd
6G#major 6th

Functions & resolutions

Stability / tension
Stable — can serve as major tonic
Most common resolutions
Unstable degrees
4E
b5F
resolves inward to the 4th
4E
b7A
resolves down to the resolution tonic
Main resolution
B13b5b9source
F#F# Major
Major chord B is a stable tonic. As tonic it doesn't require resolution, but in a progression context typically moves to IV or V.
Other resolutions
B13b5b9source
Deceptive resolution
G#mG# Minor
As the V degree, a major chord can defy expectations by moving to vi instead of I (deceptive cadence).
B13b5b9source
Modal resolution
AA Major
In modal context, a major chord can freely move to bVII, bIII, or bVI — characteristic of Mixolydian mode.
B13b5b9source
Jazz reharmonization
Bmaj7B Major 7
In jazz, a major chord is enriched to maj7, 6/9, or add9 and can smoothly transition into a ii-V of another key (modulation).
B13b5b9source
Functional resolution
F#F# Major
As the IV degree (subdominant), a major chord can resolve to V or directly to I (plagal cadence).

Substitutions

Tritone substitution

Features

Character
Dominant, with b5, b9 and 13th
Characteristic interval
Diminished 5th (b5), Minor 9th (b9), 13th
Description
The diminished 5th and minor 9th alter the dominant chord, while the major 13th extends it. Semitone tendencies from b5 and b9 create dense, directed tension.
Application
  • Avant-garde jazz
  • Complex cadences
  • Improvising over altered scales

Voicing & structure

Root position

v1B(B4)Bass
root
v2D#(D#5)M3from B
v3F(F5)M2from D#
v4A(A5)M3from F
v5C(C6)m3from A
v6G#(G#6)m6from C

Harmony

Compatible scales

All chord tones are contained in these scales — use them for improvisation.

This chord on guitar 🎸

See how B13b5b9 looks on guitar.

Explore

Circle of fifths

Highlighted major keys contain this chord among their diatonic harmonies.

CAmGEmDBmAF#mEC#mBG#mF#D#mDbBbmAbFmEbCmBbGmFDmBmajor
Relative key
Dominant
Subdominant
Key signature
5 sharps (F#, C#, G#, D#, A#)

Practice

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Frequently Asked Questions