Bm13

B Minor 13

Octaves

Musical context

How the chord relates to the scale, mode, key and progression.

Theory

General info

Full name
B Minor 13
Symbol
Bm13
Root
B
Quality
Minor 13

Chord notes

1Broot
b3Dminor 3rd
5F#perfect 5th
b7Aminor 7th
2C#major 2nd
6G#major 6th

Functions & resolutions

Typical function in key
iiSubdominant (ii)A major
Stability / tension
Stable — can serve as major tonic
Most common resolutions
Unstable degrees
4E
b7A
resolves down to the resolution tonic
Main resolution
Bm13source
F#F# Major
Major chord B is a stable tonic. As tonic it doesn't require resolution, but in a progression context typically moves to IV or V.
Other resolutions
Bm13source
Deceptive resolution
G#mG# Minor
As the V degree, a major chord can defy expectations by moving to vi instead of I (deceptive cadence).
Bm13source
Modal resolution
AA Major
In modal context, a major chord can freely move to bVII, bIII, or bVI — characteristic of Mixolydian mode.
Bm13source
Jazz reharmonization
Bmaj7B Major 7
In jazz, a major chord is enriched to maj7, 6/9, or add9 and can smoothly transition into a ii-V of another key (modulation).
Bm13source
Functional resolution
F#F# Major
As the IV degree (subdominant), a major chord can resolve to V or directly to I (plagal cadence).

Features

Character
Minor, with minor 7th, 9th and major 13th
Characteristic interval
Minor 3rd (m3), Minor 7th (b7), Major 13th (13)
Description
The m7 core preserves minor quality, while the major 13th emphasises natural scale degree 6. This combination has a particularly clear Dorian association.
Application
  • Dorian harmony
  • Minor tonic in jazz
  • Neo-soul and fusion

Voicing & structure

Root position

v1B(B4)Bass
root
v2D(D5)m3from B
v3F#(F#5)M3from D
v4A(A5)m3from F#
v5C#(C#6)M3from A
v6G#(G#6)P5from C#

Harmony

Compatible scales

All chord tones are contained in these scales — use them for improvisation.

This chord on guitar 🎸

See how Bm13 looks on guitar.

Explore

Circle of fifths

Highlighted major keys contain this chord among their diatonic harmonies.

CAmGEmDBmAF#mEC#mBG#mF#D#mDbBbmAbFmEbCmBbGmFDmBmajor
Relative key
Dominant
Subdominant
Key signature
5 sharps (F#, C#, G#, D#, A#)

Practice

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Frequently Asked Questions