D7b5

D 7b5

Octaves

Musical context

How the chord relates to the scale, mode, key and progression.

Theory

General info

Full name
D 7b5
Symbol
D7b5
Root
D
Quality
7b5

Chord notes

1Droot
3F#major 3rd
b5Abdim 5th
b7Cminor 7th

Functions & resolutions

Stability / tension
High tension — requires resolution
Most common resolutions
Unstable degrees
3F#
4G
resolves up to the resolution tonic
4G
b5G#
resolves inward to the resolution tonic
6B
b7C
resolves down to the tonic 3rd
Main resolution
D7b5source
GG Major
Dominant 7th D7 naturally resolves up a 4th to G. It is the tritone between the chord's 3rd and 7th that creates this pull.
Other resolutions
D7b5source
Deceptive resolution
EmE Minor
Instead of the tonic, the dominant resolves to the vi degree. Creates surprise and is often used to extend a musical phrase.
D7b5source
Modal resolution
CC Major
In rock and blues, the dominant often moves to bVII or IV instead of the tonic, creating a modal flavor.
D7b5source
Jazz reharmonization
G#7G# Dominant 7
Tritone substitution: D7 can be replaced by G#7 (a tritone away). Both chords share the same tritone between the 3rd and 7th, resolving to the same tonic.
D7b5source
Functional resolution
Dsus4D Sus4
The dominant can resolve beyond the tonic: moving to IV (subdominant) or to a suspension (sus4) are common alternatives in pop and folk music.

Substitutions

Tritone substitution

Features

Character
Dominant, with a diminished 5th
Characteristic interval
Diminished 5th (b5), Minor 7th (b7)
Description
The diminished fifth replaces the perfect fifth, adding a tritone to the dominant tension. Sharper than a regular dom7.
Application
  • Tritone substitution
  • Jazz ii-V-I
  • Altered blues

Voicing & structure

Root position

v1D(D4)Bass
root
v2F#(F#4)M3from D
v3Ab(Ab4)M2from F#
v4C(C5)M3from Ab

Harmony

Compatible scales

All chord tones are contained in these scales — use them for improvisation.

This chord on guitar 🎸

See how D7b5 looks on guitar.

Explore

Circle of fifths

Highlighted major keys contain this chord among their diatonic harmonies.

CAmGEmDBmAF#mEC#mBG#mF#D#mDbBbmAbFmEbCmBbGmFDmDmajor
Relative key
Dominant
Subdominant
Key signature
2 sharps (F#, C#)

Practice

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Frequently Asked Questions