F#9#11

F# 9#11

Octaves

Musical context

How the chord relates to the scale, mode, key and progression.

Theory

General info

Full name
F# 9#11
Symbol
F#9#11
Root
F#
Quality
9#11

Chord notes

1F#root
3A#major 3rd
5C#perfect 5th
b7Eminor 7th
2G#major 2nd
#4B#aug 4th

Functions & resolutions

Typical function in key
VDominant (V)B major
Stability / tension
High tension — requires resolution
Most common resolutions
Unstable degrees
3A#
4B
resolves up to the resolution tonic
6D#
b7E
resolves down to the tonic 3rd
#4C
5C#
resolves up to the 5th
Main resolution
F#9#11source
BB Major
Dominant 7th F#7 naturally resolves up a 4th to B. It is the tritone between the chord's 3rd and 7th that creates this pull.
Other resolutions
F#9#11source
Deceptive resolution
G#mG# Minor
Instead of the tonic, the dominant resolves to the vi degree. Creates surprise and is often used to extend a musical phrase.
F#9#11source
Modal resolution
EE Major
In rock and blues, the dominant often moves to bVII or IV instead of the tonic, creating a modal flavor.
F#9#11source
Jazz reharmonization
C7C Dominant 7
Tritone substitution: F#7 can be replaced by C7 (a tritone away). Both chords share the same tritone between the 3rd and 7th, resolving to the same tonic.
F#9#11source
Functional resolution
F#sus4F# Sus4
The dominant can resolve beyond the tonic: moving to IV (subdominant) or to a suspension (sus4) are common alternatives in pop and folk music.

Substitutions

Tritone substitution

Features

Character
Dominant, with 9th and augmented 11th
Characteristic interval
Augmented 11th (#11)
Description
The augmented 11th forms a tritone with the root and avoids the close clash that a perfect 11th creates with the 3rd. The combination of major 3rd, minor 7th, and #11 matches the Lydian dominant scale.
Application
  • Lydian harmony
  • Jazz and fusion
  • Film scoring

Voicing & structure

Root position

v1F#(F#4)Bass
root
v2A#(A#4)M3from F#
v3C#(C#5)m3from A#
v4E(E5)m3from C#
v5G#(G#5)M3from E
v6B#(B#6)M3from G#

Harmony

Compatible scales

All chord tones are contained in these scales — use them for improvisation.

This chord on guitar 🎸

See how F#9#11 looks on guitar.

Explore

Circle of fifths

Highlighted major keys contain this chord among their diatonic harmonies.

CAmGEmDBmAF#mEC#mBG#mF#D#mDbBbmAbFmEbCmBbGmFDmF#major
Relative key
Dominant
Subdominant
Key signature
6 sharps (F#, C#, G#, D#, A#, E#)

Practice

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Frequently Asked Questions