Gdim

G Diminished

Octaves

Musical context

How the chord relates to the scale, mode, key and progression.

Theory

General info

Full name
G Diminished
Symbol
Gdim
Root
G
Quality
Diminished

Chord notes

1Groot
b3Bbminor 3rd
b5Dbdim 5th

Functions & resolutions

Typical function in key
vii°Leading tone (vii°)Ab major
Stability / tension
Maximum tension — extremely unstable
Most common resolutions
Unstable degrees
2A
b3A#
resolves down to the 2nd
4C
b5C#
resolves inward to the 4th
Main resolution
Gdimsource
G#G# Major
Diminished Gdim acts as a leading-tone chord — resolves up a half step to G#. All tones are unstable, moving by semitones inward and outward to stable degrees.
Other resolutions
Gdimsource
Deceptive resolution
BB Major
Due to its symmetry, a diminished 7th chord can resolve to any major or minor chord a minor 3rd apart.
Gdimsource
Modal resolution
AmA Minor
In modal context, a diminished chord can be used as a passing chord, connecting two diatonic chords through chromatic bass motion.
Gdimsource
Jazz reharmonization
F#7F# Dominant 7
In jazz, dim7 is often reinterpreted as a rootless dominant 7b9. For example, Gdim7 ≈ F#7b9, opening additional resolution paths.
Gdimsource
Functional resolution
DmD Minor
A diminished chord can function as a leading-tone chord to any degree — not just the tonic. Often used before the ii, iii, or vi degrees.

Features

Character
Diminished, unstable
Characteristic interval
Diminished 5th (b5)
Description
Two stacked minor 3rds form a diminished 5th. The tritone makes the triad dissonant and directs voices toward neighbouring stable tones.
Application
  • vii° — vii degree of major
  • Passing chords
  • Horror, suspense

Voicing & structure

Root position

v1G(G4)Bass
root
v2Bb(Bb4)m3from G
v3Db(Db5)m3from Bb

Harmony

Typical progressions

Compatible scales

All chord tones are contained in these scales — use them for improvisation.

This chord on guitar 🎸

See how Gdim looks on guitar.

Explore

Circle of fifths

Highlighted major keys contain this chord among their diatonic harmonies.

CAmGEmDBmAF#mEC#mBG#mF#D#mDbBbmAbFmEbCmBbGmFDmGmajor
Relative key
Dominant
Subdominant
Key signature
1 sharp (F#)

Practice

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Frequently Asked Questions