Gbmaj7#5

Gb Major 7#5

Octaves

Musical context

How the chord relates to the scale, mode, key and progression.

Theory

General info

Full name
Gb Major 7#5
Symbol
Gbmaj7#5
Root
Gb
Quality
Major 7#5

Chord notes

1Gbroot
3Bbmajor 3rd
#5Daug 5th
7Fmajor 7th

Functions & resolutions

Stability / tension
Marked tension — unstable, seeks resolution
Most common resolutions
Unstable degrees
#5D
6Eb
resolves up to the 6th
7F
1Gb
resolves up to the root
Main resolution
Gbmaj7#5source
GbGb Major
Augmented Gbaug has a raised 5th. As a dominant it resolves up a 4th — the raised 5th rising a semitone. Returning to the major of the same root, it instead falls back to a perfect 5th.
Other resolutions
Gbmaj7#5source
Deceptive resolution
GbmGb Minor
An augmented chord can resolve to the minor chord of the same root: the raised 5th falls to a perfect 5th and the major 3rd lowers to a minor 3rd.
Gbmaj7#5source
No resolution needed
In a whole-tone context, the augmented chord can be used as a color chord — without mandatory resolution.
Gbmaj7#5source
Jazz reharmonization
BB Major
In jazz, aug often acts as a dominant with raised 5th, resolving up a 4th as a V7 substitute.
Gbmaj7#5source
Functional resolution
BbBb Major
Due to its symmetry (equal intervals), an augmented chord can resolve to chords a major 3rd apart.

Features

Character
Major, with major 7th and augmented 5th
Characteristic interval
Augmented 5th (#5), Major 7th (M7)
Description
The augmented 5th destabilises the major triad, while the major 7th adds a semitone tendency toward the octave. The chord is tenser than a regular maj7.
Application
  • III degree of harmonic minor
  • Jazz ballads
  • Chromatic voice leading

Voicing & structure

Root position

v1Gb(Gb4)Bass
root
v2Bb(Bb4)M3from Gb
v3D(D5)M3from Bb
v4F(F5)m3from D

Harmony

Compatible scales

All chord tones are contained in these scales — use them for improvisation.

This chord on guitar 🎸

See how Gbmaj7#5 looks on guitar.

Explore

Circle of fifths

Highlighted major keys contain this chord among their diatonic harmonies.

CAmGEmDBmAF#mEC#mBG#mF#D#mDbBbmAbFmEbCmBbGmFDmF#major
Relative key
Dominant
Subdominant
Key signature
6 sharps (F#, C#, G#, D#, A#, E#)

Practice

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Frequently Asked Questions