G#7#9

G# 7#9

Octaves

Musical context

How the chord relates to the scale, mode, key and progression.

Theory

General info

Full name
G# 7#9
Symbol
G#7#9
Root
G#
Quality
7#9

Chord notes

1G#root
3B#major 3rd
5D#perfect 5th
b7F#minor 7th
#2Baug 2nd

Functions & resolutions

Typical function in key
iiiMediant (iii)E major
Stability / tension
High tension — requires resolution
Most common resolutions
Unstable degrees
3C
4C#
resolves up to the resolution tonic
6F
b7F#
resolves down to the tonic 3rd
#2B
4C#
resolves to the resolution tonic
Main resolution
G#7#9source
C#C# Major
Dominant 7th G#7 naturally resolves up a 4th to C#. It is the tritone between the chord's 3rd and 7th that creates this pull.
Other resolutions
G#7#9source
Deceptive resolution
A#mA# Minor
Instead of the tonic, the dominant resolves to the vi degree. Creates surprise and is often used to extend a musical phrase.
G#7#9source
Modal resolution
F#F# Major
In rock and blues, the dominant often moves to bVII or IV instead of the tonic, creating a modal flavor.
G#7#9source
Jazz reharmonization
D7D Dominant 7
Tritone substitution: G#7 can be replaced by D7 (a tritone away). Both chords share the same tritone between the 3rd and 7th, resolving to the same tonic.
G#7#9source
Functional resolution
G#sus4G# Sus4
The dominant can resolve beyond the tonic: moving to IV (subdominant) or to a suspension (sus4) are common alternatives in pop and folk music.

Substitutions

Tritone substitution

Features

Character
Dominant, with an augmented 9th
Characteristic interval
Minor 7th (b7), Augmented 9th (#9)
Description
The augmented 9th is enharmonically equivalent to a minor 3rd and sounds alongside the chord’s major 3rd. Their chromatic clash creates sharp tension characteristic of blues and rock.
Application
  • Blues rock (Jimi Hendrix "Purple Haze")
  • Funk
  • Jazz fusion

Voicing & structure

Root position

v1G#(G#4)Bass
root
v2B#(B#5)M3from G#
v3D#(D#5)m3from B#
v4F#(F#5)m3from D#
v5B(B5)P4from F#

Harmony

Compatible scales

All chord tones are contained in these scales — use them for improvisation.

This chord on guitar 🎸

See how G#7#9 looks on guitar.

Explore

Circle of fifths

Highlighted major keys contain this chord among their diatonic harmonies.

CAmGEmDBmAF#mEC#mBG#mF#D#mDbBbmAbFmEbCmBbGmFDmAbmajor
Relative key
Dominant
Subdominant
Key signature
4 flats (Bb, Eb, Ab, Db)

Practice

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Frequently Asked Questions