G#9#11

G# 9#11

Octaves

Musical context

How the chord relates to the scale, mode, key and progression.

Theory

General info

Full name
G# 9#11
Symbol
G#9#11
Root
G#
Quality
9#11

Chord notes

1G#root
3B#major 3rd
5D#perfect 5th
b7F#minor 7th
2A#major 2nd
#4Daug 4th

Functions & resolutions

Stability / tension
High tension — requires resolution
Most common resolutions
Unstable degrees
3C
4C#
resolves up to the resolution tonic
6F
b7F#
resolves down to the tonic 3rd
#4D
5D#
resolves up to the 5th
Main resolution
G#9#11source
C#C# Major
Dominant 7th G#7 naturally resolves up a 4th to C#. It is the tritone between the chord's 3rd and 7th that creates this pull.
Other resolutions
G#9#11source
Deceptive resolution
A#mA# Minor
Instead of the tonic, the dominant resolves to the vi degree. Creates surprise and is often used to extend a musical phrase.
G#9#11source
Modal resolution
F#F# Major
In rock and blues, the dominant often moves to bVII or IV instead of the tonic, creating a modal flavor.
G#9#11source
Jazz reharmonization
D7D Dominant 7
Tritone substitution: G#7 can be replaced by D7 (a tritone away). Both chords share the same tritone between the 3rd and 7th, resolving to the same tonic.
G#9#11source
Functional resolution
G#sus4G# Sus4
The dominant can resolve beyond the tonic: moving to IV (subdominant) or to a suspension (sus4) are common alternatives in pop and folk music.

Substitutions

Tritone substitution

Features

Character
Dominant, with 9th and augmented 11th
Characteristic interval
Augmented 11th (#11)
Description
The augmented 11th forms a tritone with the root and avoids the close clash that a perfect 11th creates with the 3rd. The combination of major 3rd, minor 7th, and #11 matches the Lydian dominant scale.
Application
  • Lydian harmony
  • Jazz and fusion
  • Film scoring

Voicing & structure

Root position

v1G#(G#4)Bass
root
v2B#(B#5)M3from G#
v3D#(D#5)m3from B#
v4F#(F#5)m3from D#
v5A#(A#5)M3from F#
v6D(D6)M3from A#

Harmony

Compatible scales

All chord tones are contained in these scales — use them for improvisation.

This chord on guitar 🎸

See how G#9#11 looks on guitar.

Explore

Circle of fifths

Highlighted major keys contain this chord among their diatonic harmonies.

CAmGEmDBmAF#mEC#mBG#mF#D#mDbBbmAbFmEbCmBbGmFDmAbmajor
Relative key
Dominant
Subdominant
Key signature
4 flats (Bb, Eb, Ab, Db)

Practice

Keyboard Trainer

Reinforce it in practice — play and name notes on the interactive keyboard.

Open Trainer

Test yourself

(Press any key to start)

Frequently Asked Questions