Andalusian cadence

i–VII–VI–V: a descending minor progression with a tense VI–V semitone motion

Musical context

How the progression relates to the chord, scale, mode and key.

Theory

General info

Progression
Andalusian cadence
Pattern
i – VII – VI – V
Type
Minor
Mode
minor
Genre
Flamenco / rock
Chord count
4
Brief character
i–VII–VI–V: a descending minor progression with a tense VI–V semitone motion

Progression composition

Construction logic

T
Tonic
D
Dominant
T
Tonic
D

In i – VII – VI – V, the bass descends stepwise from minor tonic to dominant. The VI – V semitone forms a Phrygian cadential motion and approaches V with particular intensity. The progression is characteristic of flamenco and also appears in rock.

How it sounds

Character
Minor functional cycle
Perceptual context
Depends on melody, rhythm, tempo, register, and texture
Stability
Low — open ending on dominant
Completeness
Open — ends on dominant

Harmonic functions

iEmStable centre of the keytonic
VIIDCreates directed tension and prepares resolutiondominant
VICStable centre of the keytonic
VBmCreates directed tension and prepares resolutiondominant

The progression contrasts stable tonic and tense dominant functions.

Tensions & resolutions

Tension builds on VII, V, resolving to VI.

Harmonic context

Diatonic chords, scales, modes and cadences in the selected key:

The progression transposes to any key — the structure (degrees) stays the same, only the specific chords change.

Variability

  • Replace triads with seventh chords for a richer sound
  • Try chord inversions for smoother voice leading
  • Add passing chords between the main degrees

Application in music

Musical scenarios

Common genres and uses for this progression:

  • Flamenco and related styles in which a stepwise descending bass organises the harmony
  • Minor introductions and cyclic sections with an intense VI–V semitone motion

Genre

Flamenco / rock

Featured in songs

  • MalagueñaErnesto Lecuona
  • Entre dos AguasPaco de Lucía
  • Recuerdos de la AlhambraFrancisco Tárrega
  • Concierto de AranjuezJoaquín Rodrigo

Practice

  • Start at a slow tempo (60 BPM), playing each chord as whole notes
  • Practice the transition between each pair of adjacent chords separately
  • Break the progression into 2-chord fragments and practice each one
  • Play the progression in different keys
  • Use a metronome and gradually increase tempo by 5–10 BPM

Connections

Frequently Asked Questions

This progression on guitar 🎸

See how Andalusian cadence looks on guitar.

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