A#m9b5

A# Minor 9b5

Octaves

Musical context

How the chord relates to the scale, mode, key and progression.

Theory

General info

Full name
A# Minor 9b5
Symbol
A#m9b5
Root
A#
Quality
Minor 9b5

Chord notes

1A#root
b3C#minor 3rd
b5Edim 5th
b7G#minor 7th
2B#major 2nd

Functions & resolutions

Typical function in key
vii°Leading tone (vii°)B major
Stability / tension
Stable — can serve as major tonic
Most common resolutions
Unstable degrees
4D#
b5E
resolves inward to the 4th
4D#
b7G#
resolves down to the resolution tonic
Main resolution
A#m9b5source
FF Major
Major chord A# is a stable tonic. As tonic it doesn't require resolution, but in a progression context typically moves to IV or V.
Other resolutions
A#m9b5source
Deceptive resolution
GmG Minor
As the V degree, a major chord can defy expectations by moving to vi instead of I (deceptive cadence).
A#m9b5source
Modal resolution
G#G# Major
In modal context, a major chord can freely move to bVII, bIII, or bVI — characteristic of Mixolydian mode.
A#m9b5source
Jazz reharmonization
A#maj7A# Major 7
In jazz, a major chord is enriched to maj7, 6/9, or add9 and can smoothly transition into a ii-V of another key (modulation).
A#m9b5source
Functional resolution
FF Major
As the IV degree (subdominant), a major chord can resolve to V or directly to I (plagal cadence).

Features

Character
Half-diminished, with an added 9th
Characteristic interval
Diminished 5th (b5), 9th
Description
The minor 3rd, diminished 5th, and minor 7th form a half-diminished seventh chord; the major 9th adds a diatonic extension. The b5 dissonance preserves the instability of the core.
Application
  • ii-V in minor (extended)
  • Modern jazz
  • Substitute for m7b5 with ninth

Voicing & structure

Root position

v1A#(A#4)Bass
root
v2C#(C#5)m3from A#
v3E(E5)m3from C#
v4G#(G#5)M3from E
v5B#(B#6)M3from G#

Harmony

Compatible scales

All chord tones are contained in these scales — use them for improvisation.

This chord on guitar 🎸

See how A#m9b5 looks on guitar.

Explore

Circle of fifths

Highlighted major keys contain this chord among their diatonic harmonies.

CAmGEmDBmAF#mEC#mBG#mF#D#mDbBbmAbFmEbCmBbGmFDmBbmajor
Relative key
Dominant
Subdominant
Key signature
2 flats (Bb, Eb)

Practice

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Frequently Asked Questions