Cm9b5

C Minor 9b5

Octaves

Musical context

How the chord relates to the scale, mode, key and progression.

Theory

General info

Full name
C Minor 9b5
Symbol
Cm9b5
Root
C
Quality
Minor 9b5

Chord notes

1Croot
b3Ebminor 3rd
b5Gbdim 5th
b7Bbminor 7th
2Dmajor 2nd

Functions & resolutions

Stability / tension
Stable — can serve as major tonic
Most common resolutions
Unstable degrees
4F
b5F#
resolves inward to the 4th
4F
b7A#
resolves down to the resolution tonic
Main resolution
Cm9b5source
GG Major
Major chord C is a stable tonic. As tonic it doesn't require resolution, but in a progression context typically moves to IV or V.
Other resolutions
Cm9b5source
Deceptive resolution
AmA Minor
As the V degree, a major chord can defy expectations by moving to vi instead of I (deceptive cadence).
Cm9b5source
Modal resolution
A#A# Major
In modal context, a major chord can freely move to bVII, bIII, or bVI — characteristic of Mixolydian mode.
Cm9b5source
Jazz reharmonization
Cmaj7C Major 7
In jazz, a major chord is enriched to maj7, 6/9, or add9 and can smoothly transition into a ii-V of another key (modulation).
Cm9b5source
Functional resolution
GG Major
As the IV degree (subdominant), a major chord can resolve to V or directly to I (plagal cadence).

Features

Character
Half-diminished, with an added 9th
Characteristic interval
Diminished 5th (b5), 9th
Description
The minor 3rd, diminished 5th, and minor 7th form a half-diminished seventh chord; the major 9th adds a diatonic extension. The b5 dissonance preserves the instability of the core.
Application
  • ii-V in minor (extended)
  • Modern jazz
  • Substitute for m7b5 with ninth

Voicing & structure

Root position

v1C(C4)Bass
root
v2Eb(Eb4)m3from C
v3Gb(Gb4)m3from Eb
v4Bb(Bb4)M3from Gb
v5D(D5)M3from Bb

Harmony

Typical progressions

Compatible scales

All chord tones are contained in these scales — use them for improvisation.

This chord on guitar 🎸

See how Cm9b5 looks on guitar.

Explore

Circle of fifths

Highlighted major keys contain this chord among their diatonic harmonies.

CAmGEmDBmAF#mEC#mBG#mF#D#mDbBbmAbFmEbCmBbGmFDmCNonemajor
Relative key
Dominant
Subdominant
Key signature
None

Practice

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Frequently Asked Questions