C#b13#9

C# b13#9

Octaves

Musical context

How the chord relates to the scale, mode, key and progression.

Theory

General info

Full name
C# b13#9
Symbol
C#b13#9
Root
C#
Quality
b13#9

Chord notes

1C#root
3E#major 3rd
5G#perfect 5th
b7Bminor 7th
#2Eaug 2nd
b6Aminor 6th

Functions & resolutions

Typical function in key
viRelative tonic (vi)E major
Stability / tension
Stable — can serve as major tonic
Most common resolutions
Unstable degrees
4F#
b7B
resolves down to the resolution tonic
Main resolution
C#b13#9source
G#G# Major
Major chord C# is a stable tonic. As tonic it doesn't require resolution, but in a progression context typically moves to IV or V.
Other resolutions
C#b13#9source
Deceptive resolution
A#mA# Minor
As the V degree, a major chord can defy expectations by moving to vi instead of I (deceptive cadence).
C#b13#9source
Modal resolution
BB Major
In modal context, a major chord can freely move to bVII, bIII, or bVI — characteristic of Mixolydian mode.
C#b13#9source
Jazz reharmonization
C#maj7C# Major 7
In jazz, a major chord is enriched to maj7, 6/9, or add9 and can smoothly transition into a ii-V of another key (modulation).
C#b13#9source
Functional resolution
G#G# Major
As the IV degree (subdominant), a major chord can resolve to V or directly to I (plagal cadence).

Substitutions

Tritone substitution

Features

Character
Dominant, with #9 and b13
Characteristic interval
Augmented 9th (#9), Minor 13th (b13)
Description
The augmented 9th clashes chromatically with the major 3rd, while the minor 13th lies a semitone above the perfect 5th. The two alterations intensify dominant dissonance.
Application
  • Avant-garde jazz
  • Altered dominants
  • Experimental harmony

Voicing & structure

Root position

v1C#(C#4)Bass
root
v2E#(E#4)M3from C#
v3G#(G#4)m3from E#
v4B(B4)m3from G#
v5E(E5)P4from B
v6A(A5)P4from E

Harmony

Compatible scales

All chord tones are contained in these scales — use them for improvisation.

This chord on guitar 🎸

See how C#b13#9 looks on guitar.

Explore

Circle of fifths

Highlighted major keys contain this chord among their diatonic harmonies.

CAmGEmDBmAF#mEC#mBG#mF#D#mDbBbmAbFmEbCmBbGmFDmDbmajor
Relative key
Dominant
Subdominant
Key signature
5 flats (Bb, Eb, Ab, Db, Gb)

Practice

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Frequently Asked Questions