Db9sus4

Db 9sus4

Octaves

Musical context

How the chord relates to the scale, mode, key and progression.

Theory

General info

Full name
Db 9sus4
Symbol
Db9sus4
Root
Db
Quality
9sus4

Chord notes

1Dbroot
4Gbperfect 4th
5Abperfect 5th
b7Cbminor 7th
2Ebmajor 2nd

Functions & resolutions

Typical function in key
ITonic (I)C# major
Stability / tension
Stable — can serve as major tonic
Most common resolutions
Unstable degrees
4Gb
b7B
resolves down to the resolution tonic
Main resolution
Db9sus4source
AbAb Major
Major chord Db is a stable tonic. As tonic it doesn't require resolution, but in a progression context typically moves to IV or V.
Other resolutions
Db9sus4source
Deceptive resolution
BbmBb Minor
As the V degree, a major chord can defy expectations by moving to vi instead of I (deceptive cadence).
Db9sus4source
Modal resolution
BB Major
In modal context, a major chord can freely move to bVII, bIII, or bVI — characteristic of Mixolydian mode.
Db9sus4source
Jazz reharmonization
Dbmaj7Db Major 7
In jazz, a major chord is enriched to maj7, 6/9, or add9 and can smoothly transition into a ii-V of another key (modulation).
Db9sus4source
Functional resolution
AbAb Major
As the IV degree (subdominant), a major chord can resolve to V or directly to I (plagal cadence).

Features

Character
Dominant, with 4th and 9th but no 3rd
Characteristic interval
4th instead of 3rd (4), Minor 7th (b7), Major 9th (9)
Description
The 4th replaces the 3rd, the minor 7th preserves dominant colour, and the 9th extends the sonority. With no 3rd, chord quality remains undefined until resolution.
Application
  • Dominant suspensions
  • Modal jazz
  • Funk and soul

Voicing & structure

Root position

v1Db(Db4)Bass
root
v2Gb(Gb4)P4from Db
v3Ab(Ab4)M2from Gb
v4Cb(Cb4)m3from Ab
v5Eb(Eb5)M3from Cb

Harmony

Compatible scales

All chord tones are contained in these scales — use them for improvisation.

This chord on guitar 🎸

See how Db9sus4 looks on guitar.

Explore

Circle of fifths

Highlighted major keys contain this chord among their diatonic harmonies.

CAmGEmDBmAF#mEC#mBG#mF#D#mDbBbmAbFmEbCmBbGmFDmDbmajor
Relative key
Dominant
Subdominant
Key signature
5 flats (Bb, Eb, Ab, Db, Gb)

Practice

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Frequently Asked Questions