D#7#9

Q: What notes are in the D#7#9 chord?

The D#7#9 chord (D# 7#9) contains: D#, G, A#, C#, F#. Its interval structure is shown above in the Theory section.

Q: How do I build D#7#9 on the keyboard?

Take the root and add the remaining chord tones following the interval formula. The highlight shows chord content, while the inversion control changes which chord tone is in the bass.

Q: Which keys is D#7#9 found in?

The chord acts as a diatonic degree in several keys — they are marked on the circle of fifths in the "Harmonic context" block.

Q: What can I substitute for D#7#9?

A substitution depends on harmonic function and voice leading, not only on shared tones. Computed options appear in the "Substitutions" block and should be checked in context.

D# 7#9

Octaves

Musical context

ChordD# majorTriad

ChordD#7#9D# 7#9

ArpeggioD# majorBroken triad

ScaleD# major7 notes

KeyD# majorMajor key

ProgressionPop axisSequence

How the chord relates to the scale, mode, key and progression.

Theory

General info

Full name: D# 7#9
Symbol: D#7#9
Root: D#
Quality: 7#9

Chord notes

1D#root

3Gmajor 3rd

5A#perfect 5th

b7C#minor 7th

#2F#aug 2nd

Functions & resolutions

Stability / tension: High tension — requires resolution
Most common resolutions: G#G# Major FmF Minor
Unstable degrees: 3G
4G#
resolves up to the resolution tonic
6C
b7C#
resolves down to the tonic 3rd
#2F#
4G#
resolves to the resolution tonic
Main resolution: D#7#9source
G#G# Major
Dominant 7th D#7 naturally resolves up a 4th to G#. It is the tritone between the chord's 3rd and 7th that creates this pull.
Other resolutions: D#7#9source
Deceptive resolution
FmF Minor
Instead of the tonic, the dominant resolves to the vi degree. Creates surprise and is often used to extend a musical phrase.
D#7#9source
Modal resolution
C#C# Major
In rock and blues, the dominant often moves to bVII or IV instead of the tonic, creating a modal flavor.
D#7#9source
Jazz reharmonization
A7A Dominant 7
Tritone substitution: D#7 can be replaced by A7 (a tritone away). Both chords share the same tritone between the 3rd and 7th, resolving to the same tonic.
D#7#9source
Functional resolution
D#sus4D# Sus4
The dominant can resolve beyond the tonic: moving to IV (subdominant) or to a suspension (sus4) are common alternatives in pop and folk music.

Substitutions

Tritone substitution: A7A Dominant 7

Features

Character: Dominant, with an augmented 9th
Characteristic interval: Minor 7th (b7), Augmented 9th (#9)
Description: The augmented 9th is enharmonically equivalent to a minor 3rd and sounds alongside the chord’s major 3rd. Their chromatic clash creates sharp tension characteristic of blues and rock.
Application: Blues rock (Jimi Hendrix "Purple Haze")
Funk
Jazz fusion

Voicing & structure

Root position

v1D#(D#4)Bass

root

v2G(G4)M3from D#

v3A#(A#4)m3from G

v4C#(C#5)m3from A#

v5F#(F#5)P4from C#

Harmony

Compatible scales

All chord tones are contained in these scales — use them for improvisation.

ScaleG Hungarian minor ScaleD Double harmonic ScaleD Persian scale ScaleD Byzantine ScaleB Harmonic major ScaleC# Diminished scale ScaleD# Diminished (half–whole)ScaleD# Bebop minor ScaleF# Diminished (half–whole)ScaleG Diminished scale

This chord on guitar 🎸

See how D#7#9 looks on guitar.

Explore

Circle of fifths

Highlighted major keys contain this chord among their diatonic harmonies.

Relative key: CmC minor
Dominant: BbBb major
Subdominant: AbAb major
Key signature: 3 flats (Bb, Eb, Ab)

What to learn next

ScaleEb Chromatic scaleScale to improvise over this chord PracticeChord trainerLock the fingering into muscle memory ProgressionChord progressionsHow this chord works inside real progressions

Recommended for you

Eb Chromatic scaleA scale related to this chord

Practice

Keyboard Trainer

Reinforce it in practice — play and name notes on the interactive keyboard.

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Test yourself

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What notes are in the D#7#9 chord?

How do I build D#7#9 on the keyboard?

Which keys is D#7#9 found in?

What can I substitute for D#7#9?