D#9sus4

D# 9sus4

Octaves

Musical context

How the chord relates to the scale, mode, key and progression.

Theory

General info

Full name
D# 9sus4
Symbol
D#9sus4
Root
D#
Quality
9sus4

Chord notes

1D#root
4G#perfect 4th
5A#perfect 5th
b7C#minor 7th
2E#major 2nd

Functions & resolutions

Typical function in key
iiSubdominant (ii)C# major
Stability / tension
Stable — can serve as major tonic
Most common resolutions
Unstable degrees
4G#
b7C#
resolves down to the resolution tonic
Main resolution
D#9sus4source
A#A# Major
Major chord D# is a stable tonic. As tonic it doesn't require resolution, but in a progression context typically moves to IV or V.
Other resolutions
D#9sus4source
Deceptive resolution
CmC Minor
As the V degree, a major chord can defy expectations by moving to vi instead of I (deceptive cadence).
D#9sus4source
Modal resolution
C#C# Major
In modal context, a major chord can freely move to bVII, bIII, or bVI — characteristic of Mixolydian mode.
D#9sus4source
Jazz reharmonization
D#maj7D# Major 7
In jazz, a major chord is enriched to maj7, 6/9, or add9 and can smoothly transition into a ii-V of another key (modulation).
D#9sus4source
Functional resolution
A#A# Major
As the IV degree (subdominant), a major chord can resolve to V or directly to I (plagal cadence).

Features

Character
Dominant, with 4th and 9th but no 3rd
Characteristic interval
4th instead of 3rd (4), Minor 7th (b7), Major 9th (9)
Description
The 4th replaces the 3rd, the minor 7th preserves dominant colour, and the 9th extends the sonority. With no 3rd, chord quality remains undefined until resolution.
Application
  • Dominant suspensions
  • Modal jazz
  • Funk and soul

Voicing & structure

Root position

v1D#(D#4)Bass
root
v2G#(G#4)P4from D#
v3A#(A#4)M2from G#
v4C#(C#5)m3from A#
v5E#(E#5)M3from C#

Harmony

Compatible scales

All chord tones are contained in these scales — use them for improvisation.

This chord on guitar 🎸

See how D#9sus4 looks on guitar.

Explore

Circle of fifths

Highlighted major keys contain this chord among their diatonic harmonies.

CAmGEmDBmAF#mEC#mBG#mF#D#mDbBbmAbFmEbCmBbGmFDmEbmajor
Relative key
Dominant
Subdominant
Key signature
3 flats (Bb, Eb, Ab)

Practice

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Frequently Asked Questions