A#alt

A# Altered

Octaves

Musical context

How the chord relates to the scale, mode, key and progression.

Theory

General info

Full name
A# Altered
Symbol
A#alt
Root
A#
Quality
Altered

Chord notes

1A#root
3Dmajor 3rd
b5Edim 5th
b7G#minor 7th
b2Bminor 2nd

Functions & resolutions

Stability / tension
High tension — requires resolution
Most common resolutions
Unstable degrees
3D
4D#
resolves up to the resolution tonic
4D#
b5E
resolves inward to the resolution tonic
6G
b7G#
resolves down to the tonic 3rd
1A#
b2B
resolves down to the tonic 5th
Main resolution
A#altsource
D#D# Major
Dominant 7th A#7 naturally resolves up a 4th to D#. It is the tritone between the chord's 3rd and 7th that creates this pull.
Other resolutions
A#altsource
Deceptive resolution
CmC Minor
Instead of the tonic, the dominant resolves to the vi degree. Creates surprise and is often used to extend a musical phrase.
A#altsource
Modal resolution
G#G# Major
In rock and blues, the dominant often moves to bVII or IV instead of the tonic, creating a modal flavor.
A#altsource
Jazz reharmonization
E7E Dominant 7
Tritone substitution: A#7 can be replaced by E7 (a tritone away). Both chords share the same tritone between the 3rd and 7th, resolving to the same tonic.
A#altsource
Functional resolution
A#sus4A# Sus4
The dominant can resolve beyond the tonic: moving to IV (subdominant) or to a suspension (sus4) are common alternatives in pop and folk music.

Substitutions

Tritone substitution

Features

Character
Altered dominant, dissonant
Characteristic interval
Diminished 5th (b5), Minor 7th (b7)
Description
The minor 7th establishes dominant function, while altered 5ths and extensions intensify chromatic voice leading into the next chord.
Application
  • V chord in jazz (alt → i)
  • Improvising over the altered scale
  • Substitution for a dominant 7th

Voicing & structure

Root position

v1A#(A#4)Bass
root
v2D(D5)M3from A#
v3E(E5)M2from D
v4G#(G#5)M3from E
v5B(B5)m3from G#

Harmony

Compatible scales

All chord tones are contained in these scales — use them for improvisation.

This chord on guitar 🎸

See how A#alt looks on guitar.

Explore

Circle of fifths

Highlighted major keys contain this chord among their diatonic harmonies.

CAmGEmDBmAF#mEC#mBG#mF#D#mDbBbmAbFmEbCmBbGmFDmBbmajor
Relative key
Dominant
Subdominant
Key signature
2 flats (Bb, Eb)

Practice

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Frequently Asked Questions