Tritone substitution: B7 can be replaced by F7 (a tritone away). Both chords share the same tritone between the 3rd and 7th, resolving to the same tonic.
The minor 7th establishes the dominant structure, the 9th extends it, and the diminished 5th adds a second tritone against the root. The chord is more dissonant than a regular 9.
Application
Tritone sub with ninth
Jazz and fusion
Improvising over Lydian dominant
Voicing & structure
Root position
v1B(B4)Bass
root
v2D#(D#5)M3from B
v3F(F5)M2from D#
v4A(A5)M3from F
v5C#(C#6)M3from A
Harmony
Compatible scales
All chord tones are contained in these scales — use them for improvisation.