D#7b9#5

D# 7b9#5

Octaves

Musical context

How the chord relates to the scale, mode, key and progression.

Theory

General info

Full name
D# 7b9#5
Symbol
D#7b9#5
Root
D#
Quality
7b9#5

Chord notes

1D#root
3Gmajor 3rd
#5Baug 5th
b7C#minor 7th
b2Eminor 2nd

Functions & resolutions

Stability / tension
Stable — can serve as major tonic
Most common resolutions
Unstable degrees
#5B
6C
resolves up to the 6th
4G#
b7C#
resolves down to the resolution tonic
Main resolution
D#7b9#5source
A#A# Major
Major chord D# is a stable tonic. As tonic it doesn't require resolution, but in a progression context typically moves to IV or V.
Other resolutions
D#7b9#5source
Deceptive resolution
CmC Minor
As the V degree, a major chord can defy expectations by moving to vi instead of I (deceptive cadence).
D#7b9#5source
Modal resolution
C#C# Major
In modal context, a major chord can freely move to bVII, bIII, or bVI — characteristic of Mixolydian mode.
D#7b9#5source
Jazz reharmonization
D#maj7D# Major 7
In jazz, a major chord is enriched to maj7, 6/9, or add9 and can smoothly transition into a ii-V of another key (modulation).
D#7b9#5source
Functional resolution
A#A# Major
As the IV degree (subdominant), a major chord can resolve to V or directly to I (plagal cadence).

Substitutions

Tritone substitution

Features

Character
Dominant, with b9 and #5
Characteristic interval
Augmented 5th (#5), Minor 9th (b9)
Description
The augmented 5th and minor 9th alter two tones of a dominant seventh chord. Both allow semitone voice leading into the next chord, giving the sonority sharp, directed tension.
Application
  • Jazz cadences V → i
  • Altered dominant
  • Harmonic minor

Voicing & structure

Root position

v1D#(D#4)Bass
root
v2G(G4)M3from D#
v3B(B4)M3from G
v4C#(C#5)M2from B
v5E(E5)m3from C#

Harmony

Compatible scales

All chord tones are contained in these scales — use them for improvisation.

This chord on guitar 🎸

See how D#7b9#5 looks on guitar.

Explore

Circle of fifths

Highlighted major keys contain this chord among their diatonic harmonies.

CAmGEmDBmAF#mEC#mBG#mF#D#mDbBbmAbFmEbCmBbGmFDmEbmajor
Relative key
Dominant
Subdominant
Key signature
3 flats (Bb, Eb, Ab)

Practice

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Frequently Asked Questions