Eb7b9#5

General info

Full name

Eb 7b9#5

Symbol

Eb7b9#5

Root

Eb

Quality

7b9#5

Chord notes

Functions & resolutions

Stability / tension

Stable — can serve as major tonic

Most common resolutions

AbAb MajorBbBb MajorCmC Minor

Unstable degrees

#5B

6C

resolves up to the 6th

4Ab

b7Db

resolves down to the resolution tonic

Main resolution

Eb7b9#5source

BbBb Major

Major chord Eb is a stable tonic. As tonic it doesn't require resolution, but in a progression context typically moves to IV or V.

Other resolutions

Eb7b9#5source

Deceptive resolution

CmC Minor

As the V degree, a major chord can defy expectations by moving to vi instead of I (deceptive cadence).

Eb7b9#5source

Modal resolution

DbDb Major

In modal context, a major chord can freely move to bVII, bIII, or bVI — characteristic of Mixolydian mode.

Eb7b9#5source

Jazz reharmonization

Ebmaj7Eb Major 7

In jazz, a major chord is enriched to maj7, 6/9, or add9 and can smoothly transition into a ii-V of another key (modulation).

Eb7b9#5source

Functional resolution

BbBb Major

As the IV degree (subdominant), a major chord can resolve to V or directly to I (plagal cadence).

Substitutions

Tritone substitution

A7A Dominant 7

Features

Character

Dominant, with b9 and #5

Characteristic interval

Augmented 5th (#5), Minor 9th (b9)

Description

The augmented 5th and minor 9th alter two tones of a dominant seventh chord. Both allow semitone voice leading into the next chord, giving the sonority sharp, directed tension.

Application

• Jazz cadences V → i
• Altered dominant
• Harmonic minor

Voicing & structure

Harmony

Compatible scales

All chord tones are contained in these scales — use them for improvisation.