Gbb13#9

Gb b13#9

Octaves

Musical context

How the chord relates to the scale, mode, key and progression.

Theory

General info

Full name
Gb b13#9
Symbol
Gbb13#9
Root
Gb
Quality
b13#9

Chord notes

1Gbroot
3Bbmajor 3rd
5Dbperfect 5th
b7Fbminor 7th
#2Aaug 2nd
b6Dminor 6th

Functions & resolutions

Stability / tension
Stable — can serve as major tonic
Most common resolutions
Unstable degrees
4B
b7E
resolves down to the resolution tonic
Main resolution
Gbb13#9source
DbDb Major
Major chord Gb is a stable tonic. As tonic it doesn't require resolution, but in a progression context typically moves to IV or V.
Other resolutions
Gbb13#9source
Deceptive resolution
EbmEb Minor
As the V degree, a major chord can defy expectations by moving to vi instead of I (deceptive cadence).
Gbb13#9source
Modal resolution
EE Major
In modal context, a major chord can freely move to bVII, bIII, or bVI — characteristic of Mixolydian mode.
Gbb13#9source
Jazz reharmonization
Gbmaj7Gb Major 7
In jazz, a major chord is enriched to maj7, 6/9, or add9 and can smoothly transition into a ii-V of another key (modulation).
Gbb13#9source
Functional resolution
DbDb Major
As the IV degree (subdominant), a major chord can resolve to V or directly to I (plagal cadence).

Substitutions

Tritone substitution

Features

Character
Dominant, with #9 and b13
Characteristic interval
Augmented 9th (#9), Minor 13th (b13)
Description
The augmented 9th clashes chromatically with the major 3rd, while the minor 13th lies a semitone above the perfect 5th. The two alterations intensify dominant dissonance.
Application
  • Avant-garde jazz
  • Altered dominants
  • Experimental harmony

Voicing & structure

Root position

v1Gb(Gb4)Bass
root
v2Bb(Bb4)M3from Gb
v3Db(Db5)m3from Bb
v4Fb(Fb5)m3from Db
v5A(A5)P4from Fb
v6D(D6)P4from A

Harmony

Compatible scales

All chord tones are contained in these scales — use them for improvisation.

This chord on guitar 🎸

See how Gbb13#9 looks on guitar.

Explore

Circle of fifths

Highlighted major keys contain this chord among their diatonic harmonies.

CAmGEmDBmAF#mEC#mBG#mF#D#mDbBbmAbFmEbCmBbGmFDmF#major
Relative key
Dominant
Subdominant
Key signature
6 sharps (F#, C#, G#, D#, A#, E#)

Practice

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Frequently Asked Questions